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The Andes · Volume 20, Pork, Potato and the Twelve Grain Feast

Llapingacho

Ambato, Ecuador

Llapingacho, cheese stuffed potato cakes: two golden brown potato cakes with a lightly crisped surface, one broken open to show a molten core of melted white cheese.

An illustration of the dish, not a photograph of it cooked.

Time
2 hours
Researched
Researched from 96 sources in the brief, none yet linked in the text
Reviewed
Not yet reviewed from inside the tradition
Cooked
Not yet cooked and reported

As tradition built it

Llapingacho

Makes about 12 patties . about 2 hours in total, including 1 hour resting the potato mixture

Ingredients

Method

  1. Boil peeled potatoes, ideally papa chola, in well salted water until they collapse at the touch of a fork, then mash them while still hot to a single, smooth mass; working them hot is not optional, since a cold mash never binds the same way.
  2. Make a refrito of finely diced white onion cooked slowly in lard and achiote oil, fold it through the mash with salt and pepper, then divide the mixture and stuff each portion with a core of fresh cheese before shaping into flat patties.
  3. Pan fry in a little more lard until golden and lightly crisp on both sides.
  4. Serve with chorizo, a fried egg, sliced avocado, lettuce and an encurtido, a quick pickled onion.

Notes

In Ambato, where the dish is said to have begun with a woman selling potato tortillas in the plaza, locals insist that only papa chola with chorizo counts as real llapingacho, and this chapter takes that regional insistence at face value rather than flattening it into a generic Ecuadorian potato cake.

What a modern chef changes

Piped potato discs, tomato false caviar, avocado foam

Method

  1. Rather than mashing by hand, pass the boiled potato through a fine drum sieve or ricer while hot for a perfectly smooth purée, then pipe and pan sear individual discs instead of hand shaping patties, giving a cleaner, more precise edge.
  2. Make a "false caviar" from processed paiteña tomato, a technique already used by at least one Quito chef working this exact dish: reduce the tomato to a concentrated purée, set it with a little agar, and pass it through a fine sieve or spherify it lightly, giving small, bright, acidic beads to scatter across the plate rather than a wedge of raw tomato.
  3. Finish with a light avocado foam, made in a whipping siphon or by hand with a stick blender and passed through a chinois, rather than sliced avocado, and reduce the chorizo to a single, thin, crisp shard rather than a whole link, so the plate reads as the same four elements, potato, cheese, onion and chorizo, radically concentrated rather than added to.
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