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The Sinosphere · Volume 31, The Wok’s Breath, the Tea Trolley and the Coconut Coast

Char siu, honey-glazed roast pork

Guangdong, the siu mei roast counter

Char siu, honey-glazed roast pork on a hung, high-low-high heat curve: glossy mahogany-red strips of roast pork sliced on the diagonal and fanned across a plate, the honey glaze catching the light.

An illustration of the dish, not a photograph of it cooked.

Time
1 hour
Researched
Researched from 118 sources in the brief, none yet linked in the text
Reviewed
Not yet reviewed from inside the tradition
Cooked
Not yet cooked and reported

The siu mei roast counter's signature dish. A marinade built for lacquer, roasted on a curve a human eye actually runs.

As tradition built it

Serves 4 to 6. Marinate several hours or overnight; roast 1 hour.

Ingredients

For the glaze

Method

  1. Combine the garlic, shallot and ginger paste with salt, sugar, light soy, oyster sauce and Shaoxing wine, then fold in the ground bean sauce, sesame paste, hoisin and cornflour.
  2. Marinate the pork strips in this mixture for at least 45 minutes, then work in the egg and a little sesame oil.
  3. Leave to marinate several hours, ideally overnight, turning occasionally.
  4. Roast at 160°C for 15 minutes, turn the strips, drop to 100°C for a further 15 minutes, then finish at a low 80°C for 30 minutes.
  5. Brush generously with the warmed honey glaze, then let the surface air-dry briefly before slicing, so the lacquer sets rather than staying tacky.

What a modern chef changes

The high-low-high curve, held by a probe rather than a clock.

Rung 5

Method

  1. Sear the marinated pork hard on a very hot grill or under a broiler first, replicating the initial scald-and-set stage of the siu mei tradition, then finish the interior gently at a low oven temperature or sous vide around 65°C until just cooked through.
  2. Glaze and torch the surface in stages, checking colour by eye between passes, exactly as Rung 5 demands: watch the lacquer, not the clock.
  3. Rest briefly before slicing, letting the glaze set fully so it doesn't tear when the knife goes through.
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